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Zeke's Gallery
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Zeke's Gallery
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Type: Audio
Podcast Feed Zeke's Gallery

A Contemporary Art Gallery in Montreal -
Writing about Art World stuff happening in Montreal, Quebec and Canada.

3955 Saint Laurent
Montreal, Quebec H2W 1Y4
(514) 288-2233 / zekes.gallery@gmail.com
Open from 3 pm to 7 pm everyday except Friday (Wednesday 5 pm to 9 pm)

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Type: Audio
MON
MAY
28
2007
Howdy!

Lisa Hoffman and Natasha Rose Chenier played here last night. Natasha Rose Chenier played her three songs first (Letter from the Future, Heart and Thunder (version one) and Heart and Thunder (version two)) and then Lisa Hoffman played Losing Streak, More the Same, Friend of Mine, Came to Stay, Your Disease, Passing Through, The Real Slim Shady, and These Houses.

If you would like to hear it, click here [84.4 MB, 54:12 minutes] stream, flac, ogg vorbis.



Type: Unknown
THU
MAY
24
2007
Howdy!

Yesterday I was at the press preview for the Bruce Nauman exhibit that is opening at the Musée d'art contemporain de Montréal tomorrow. As has become a very bad standard operating practice, in the press package there was a notice from SODRAC that stated in unequivocal terms that the pictures couldn't be cropped, and that there must be a copyright notice.

Well, if you notice this is the current front page of the museum's website.

The only copyright notice I see on it is this one: "© 2005-2007 Musée d'art contemporain de Montréal." Then if you look at this picture

It appears to be the exact same one as on the front page of the museum's website, only not cropped. What gives? Why isn't SODRAC enforcing its policy with the museum? Or is there something I don't know?

Then just so I don't have to spend any more time in court ('cuz it really ain't fun) the fine print Mean Clown Welcome, 1985, Tubes au néon montés sur monolithe de métal, Collection Udo and Anette Brandhorst Collection, Cologne, Avec l'aimable permission de la Donald Young Gallery, Chicago, ©Bruce Nauman / SODRAC (2007)



Type: Audio
TUE
MAY
22
2007
Howdy!

Finally something went my way! if you've seen American Streamlined Design: The World of Tomorrow at the Montreal Museum of Fine Arts you will know that there is a wicked cool record player there. And that David A. Hanks, the curator was witty enough to have decided to include a 78 rpm record of the song Streamlined Mama by Buddy Jones on it. As you're at the museum, it is mighty tough to hear the song (it ain't like you can go up and ask one of the guards to play it for you) - but if you would like to hear what you're missing, click on this (stream, ogg vorbis) [2.9 MB, 2:26 minutes]

or

Extra Special Props and Thanks (along with some shouts outs and high fives in gratitude) to Zinhoff the best blogger in Croatia for helping me immensely with this post.



Type: Unknown
SUN
MAY
20
2007
Howdy!

I don't normally read Walrus magazine, mostly because way too much of it is money-walled. But I came across an article written by Adam Gopnik about (ostensibly) the current state of affairs in the museum biz.

In a nutshell, he uses alliteration to try to show how museums have moved from being mausoleums, to machines, to maybe malls but mostly mindful. Mr. Gopnik, can I introduce you to Paul Werner?

One of the major problems with Mr. Gopnik's thesis, is that he does not even acknowledge the explosion of museums here, there and everywhere. In New Zealand there is approximately one museum for every 8,000 residents. In Canada there are more than 2,500 museums. Mr Gopnik probably would think that the Groupe Bizot is too large, and really should be reduced to only including museums in New York, Paris and London.

The idea all museums are in lock step, thinking and moving to the same beat in the same direction is about as preposterous as a mustache on the Mona Lisa.

Then, when he writes "One of the central comedies of manners in our society is that that art, which none of us quite understands, is taken out of the aesthetic context in which it's made and brought to institutions." I really get annoyed. That he furthers the cliche that contemporary art is incomprehensible is just flat out stupid. Try that sentence this way: One of the central comedies of manners in our society is that that literature, which none of us quite understands, is taken out of the aesthetic context in which it's made and brought to institutions. or if you prefer One of the central comedies of manners in our society is that that film, which none of us quite understands, is taken out of the aesthetic context in which it's made and brought to institutions.

Film is understandable, as is literature. When either, or both get tossed into an institution (say a university) it is the duty of the institution to elevate whatever is being brought in. One easy way to elevate something is through use of three syllable words, or academic language if you prefer. When and where did museums become like universities? I think it is much more helpful to consider museums like concert halls for music. Or libraries for books.

Given that there are two museums here in town that regularly schedule concerts (one, two), I would venture a guess that the current state of the museum world is mindful of the need to sometimes be a concert hall.



Type: Unknown
SAT
MAY
19
2007
Howdy!

This is phenomenal.

Although Canadian Copyright law is different from that in the United States. - Thanks to Lynn Bethke for pointing it out.




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